So as you may well know, we’re leaving the UK on June 25th with a one way ticket to Canada, where we will be giving a new life a go on the IEC visa for the next 2 years. Months have melted into weeks and then soared into days, with that odd combination of time feeling simultaneously fast and slow.
It’s weird how May seemed so chilled. The end of June still seemed far enough away that we felt like we had forever to get everything sorted. I will admit though, towards the end of May I started having printmaking anxiety dreams. Dreams in which I arrived at the studio and all of the screens were strapped up ready to ship off, completely un-usable. And another one in which my rooster litho stone had, for some reason, been carved into as if it were a lino block – only leaving the lines raised, with the rest of the dream involving me struggling to make an edition. Niche anxiety dreams right? What happened to the teeth falling out or just endlessly falling?
Over the last week or so, that anxiety has gradually shifted into an interesting mix of acceptance and focus. I have managed to get my head around the fact that there just isn’t time to complete the multitude of projects that I have lined up in my head. This has allowed me to concentrate on a select few things – making a frame for the print I’m giving my cousin as a wedding gift; printing and framing a gift for my grandma; finally editioning the roster litho; and trying to use up any excess book cover screen prints and recycled paper folios that are still in my 2 plan chest drawers.
The result of this has been a very satisfying and productive last few days in the studio – having made over 40 sketchbooks, editioned the rooster, and made 4 frames for various people including my cousin and grandma.
Despite the stress of leaving such an amazing space and opportunity behind (albeit to pursue a lifelong dream) – I feel that being forced to let go a little bit over the last week or so has been a really valuable experience. Yes I will always strive to do more, and to do better – but sometimes you just have to go with what life gives you and mould yourself to it. Things don’t always have to come to fruition right now, because you can always find a way in the future if that’s what you need and want to do.
So since the move things have felt a little stagnant. Upheaval can really make it feel like you’ve hit the pause button within your personal life, while everything else races on around you. I don’t know where the last 2 weeks have gone! All I know is that my etsy is feeling a bit stale (although I did sell a bag last week), and that life is too short to get stuck in the oh-my-gods of a sideways shift in your day to day life.
Simply getting back in the studio last Tuesday to print labels for my bags was enough to get the ball rolling again. Sometimes you need something like that to force you back into action. So last week I spent Tuesday eve, Wednesday day and Thursday eve in the studio working on various bits and pieces – some etsy stuff, and some lithography. I managed to finally etch the 2nd colour layer for my white rooster commission, and after a few teething problems managed to get the main image layer printed on some paper samples I picked up from John Purcell Paper a couple of weeks ago.
I’m still new to lithography, so when the ink wouldn’t wash out of my closed stone I did feel a pang of anxiety! Paul assured me that the ink should still take, it just might take a little longer to get an evenly inked print. I spent 4 hours in the studio last Thursday, partly sorting out my new etsy packaging, but mostly stressing over getting my white rooster litho to print like it had before!
I’m so happy I’ve got the White Rooster proofed on a few different types of paper now, as it means I’m closer to getting the edition done. I tried out Fabriano artistico in traditional white in both 225 and 300gsm, Zerkall 902 smooth in 225gsm and Simili Japon in 225gsm. I think I’m going to go with the Simili Japon, top right in the picture above – it’s nice and smooth and is a lovely warm white, which I think suits the image better. So excited to be editioning my first lithograph!!!!
I have taken my first tentative steps in lithography (this January)
I consider myself to be someone who draws. My practice is hugely informed by and preoccupied with drawing – so for a while now I have wanted to try my hand at lithography – one of the most mysterious techniques within printmaking.
So I grind my first stone until my arms are half numb and feel long and stringy. Then I move my stone (with a bit of help!) to a well lit part of the studio, and chalk transfer my design onto the cold, smooth surface.
I arm myself with litho crayons and cautiously begin making marks….Mistakes are made within seconds, those first few marks with a no.4 crayon feeling particularly alien. I use a craft knife to attempt a carved point, but the feel is nothing like any pencil or charcoal I have used before and I am having to re-learn my approach to both carving the soft black stick, as well as figuring out how it reacts when pressed against the cold litho stone.
Becky remarks on how I wear my emotions on my face, red cheeks giving away my frustration.
I persevere and get to a point I feel happy with and that feels like a natural conclusion to the day. Down tools. Cover my stone carefully with tissue paper and a ‘please don’t touch!’ Then make a mental note to have a good think about how to approach the feathers and how to incorporate flowers into my design before returning to the studio the next day.